The Evolution of Acoustic Panel Materials

Sound plays an essential role in how we perceive and interact with our surroundings, be they natural or man-made. In contemporary society, we not only understand sonic behavior—we can also significantly influence it through strategically placed acoustic wall panels and diffusers.

However, the understanding and manipulation of acoustics is a relatively new field that’s undergone rapid transformations in but a few decades.

In this article, we’ll explore the fascinating evolution of acoustic panel materials, highlighting their evolution over the centuries so that you can understand how to use them to transform your space.

The Ancient Understanding of Acoustics and its Applications

Long before the advent of microphones and modern public broadcasting systems, ancient civilizations grappled with the necessity of transmitting sound effectively to large audiences.

For example, the Greeks and Romans leveraged their rudimentary comprehension of acoustics with the design of their open-air theaters. These structures were meticulously planned to ensure sound clarity and amplification, with the majority of the audience positioned within the ‘critical distance’—a concept that wasn’t officially defined until the 20th century.

Common features included:

  • Sloping seats – These seats amplified sound by ensuring an unobstructed path for the sound waves to rise.
  • Semi-circular orchestra spaces – These spaces provided an optimal shape for sound dispersion.
  • Building materials – Stone and marble were excellent reflectors of sound.
  • Sound resonating vessels – Crafted from bronze or pottery, these vessels served to amplify sound.
  • Decorative backdrops – In addition to aesthetic value, backdrops were designed to magnify sound.

It’s important to note that throughout much of antiquity, the focus was more on amplification than absorption. Lacking microphones or speakers to boost sound levels, the natural acoustics of the space had to be used to the fullest extent. Naturally, this is a far cry from modern approaches, which focus heavily on controlling sound reflections and reducing unwanted noise.

Even so, 2,000 years later, places like the theater of Epidaurus remain remarkably acoustically optimized—a testament to the ingenuity and practical understanding of acoustics possessed by these early civilizations. Their work laid the foundation for the acoustic innovations that were yet to come.

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The Modern Evolution of Architectural Acoustics

The modern understanding of acoustics in architecture largely owes its inception to Wallace Sabine—the progenitor of architectural acoustics—a Harvard lecturer tasked with solving the Fogg Art Museum’s echoing problem.

One of the museum’s primary lecture halls had so much reverb that it was impossible to communicate clearly to a group. Through meticulous research, Sabine developed what’s now known as Sabine’s Equation, which:

“Used the volume, surface area, and the average absorption coefficient value of the room (basically, how much sound is absorbed versus reflected for all the different materials in a specific room) to predict a room’s reverberation time, thus giving architects the ability to foresee and control the sound quality in the spaces they designed.”

From there, Sabine was later tasked with addressing the sonic environment of St. Thomas Church in NYC. The architects wanted a Neo-Gothic cathedral—made of stone, with soaring ceilings and stained glass windows—but with modern acoustic properties that minimized reverb such that parishioners could hear the sermon clearly.

Instead of using drapes or panels—which Sabine believed would detract from the church’s aesthetic beauty—he collaborated with a manufacturer to create sound-absorbing ceramic tiles, coined “Rumford tiles.” Completed in 1913, the church successfully combined Gothic visuals with modern, echo-free acoustics.

These were likely the first official acoustical panels developed for the sole purpose of improving sound in a space.

The Evolution of Acoustic Panels

In the early days of architectural acoustics, the primary focus was paid to large public and religious structures like churches and statehouses. Early recording studios soon followed, deploying acoustic materials for both soundproofing and sound absorption to create controlled sound environments.

In such settings, sound absorption was often achieved with fiberglass batts covered in burlap or with acoustic tiles. Diffusion was provided by homemade poly cylindrical diffusers and isolation from external noise was attempted with floating floors.

However, our understanding of acoustics has advanced by leaps and bounds—especially with the development of modern technology and science—significantly transforming our ability to control and modify the acoustics in virtually any space. As a result, today, a wide range of natural and synthetic materials are available, each tailored to serve specific acoustic solution needs. These include:

  • PolyMax polyester
  • Wood wool
  • CFAB cellulose
  • Bonded acoustical cotton
  • Flat-faced melamine foam

Take Advantage of Today’s Evolved Acoustic Materials with Acoustical Surfaces

The journey of acoustic engineering has taken us from the intuitive designs of ancient theaters to the scientific precision of modern studios and architectural spaces. Today, this progress empowers consumers to select from an array of acoustic products like acoustic wall panels and sound absorbing panels as well as materials, each designed to optimize their acoustic environment.

At Acoustical Surfaces, we offer everything you might need for background noise control. Whether you want to enhance the sound in an office, home theater, auditorium, or house of worship, our diverse selection of soundproofing and acoustical products can help you transform any space into a harmonious sonic setting.



  1. Smithsonian Magazine. The Acoustics of Ancient Greek Theaters Aren’t What They Used to Be.
  2. 99 Percent Invisible. Reverb: The Evolution of Architectural Acoustics.

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